![]() This time you can see three action lines, but the most important are (1) and (2), the ones that really tell the story. ![]() ![]() The next pose is more dynamic, so there are more things going on in this image. We can see it is a relaxed pose because her weight rests on a single point (3) and all she needs is to keep the balance with her left foot, which remains taut while the right one is resting. In the figure (2), we can see her action line, which covers her whole body up to the foot. The character (1) has a relaxed stance, resting on her right arm. It focuses on actions and helps to unify the whole figure.īelow you can see a couple of examples where strength, rhythm and action lines interact together. The action line is the imaginary guide that indicates your character’s movement. Strength and rhythm provide a lot of visual information you can work with: the weight of your character (1), the balance of his pose (2) or the lack of it (3). Obviously, once the cat gives in to the force, your character will fall, as the cat was what kept him standing. If the character wants to pull something that refuses to move, his body will lean in the opposite direction. If your character is pushed to the left, his body will fall in that direction (A), unless he puts up resistance to stand (B). When two or more forces interact with each other, a rhythm is set, which provides balance and sense to the movement. They can walk, jump, dance… whatever comes to mind! But unless they are floating in space, it is not the only force that acts on them, as gravity makes their feet stay on land. Your characters move thanks to their inner strength. This is what observation means: paying attention to the details and characteristics of the body. The changes in your body don’t resemble figure A, right? For example, your shoulder also lifts, and many other parts of your body adapt to the movement as in figure B. When you raise an arm, the arm is not the only part of your body that moves, unlike how the removable extremities of dolls work. If you look at yourself in front of a mirror and start moving, you will notice that your body works as a single element. If at any point you get curious about trying something new (which I hope you do), it never hurts to take a look at that anatomy book.Įven if your drawing style is far from realistic, the aspects that make a pose interesting and credible remain the same: strength, rhythm, action lines, construction and perspective. It’s not as difficult as it seems: observation and practice are your best tools. You may choose to draw simple geometric shapes for hands and the feet.įrom here you can complete the drawing by adding the details over the framework that you have created.To draw a pose correctly, you don’t need to always carry an anatomy book with you. The next step is simply to draw a stick figure. ![]() The entire pose rests on these two lines. Next, locate a line for the shoulders and the waist and add these line lightly to the drawing. Doing this will ensure that you get the entire figure on your paper. This is a great pose to start with as it is less difficult to draw than a pose from the front or 3/4 view.īegin by drawing a line from the head to the feet of your subject. (It is understandable hard to get a figure model to stand in a running pose) The pose that is demonstrated on this page is a person that is running from a side view. This is especially true when the figure is moving. To properly view all of these qualities in your subject, you may consider using a photo reference. You will still need to pay attention to values, lines, and shapes in order for your figure drawing to translate properly. Following these steps will not guarantee a perfect figure drawing, but it will give you a strong start. All of this is compounded when the figure is placed in a motion like running.Īlthough there is not a concrete formula for drawing a figure, there are some steps that can help you get the proportions of the figure correct. Because of this, creating a method of steps that will work for all body types can be difficult. The figure is regarded as one of the most difficult subjects to draw.
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